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藝術家簡介
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Alan Eglinton ( UK )

http://www.alaneglinton.com/

Alan Eglinton 出生於英國Maldon，2006畢業於French National Photo School，此後為自由執業的攝影師。其作品主要將攝影作為一種紀錄與回憶的形式，但脫離文字敘述的限制，圖說與圖片是互為自由的表述。影像與文字間的互動關係，同時與藝術家的生活經驗、回憶與社會現象作連結。目為寶藏巖駐村藝術家，在駐村期間的五個月內，他將創立並發行The Treasue Times，為一分兩頁的雙語/中英對照周刊，將邀請社區居民與訪客一同參與製作與訪問，出刊後會發送至台北各藝文據點。

Alan Eglinton was borned in Maldon(UK). He graduated from French National Photo School in 2006 and has lived and worked as freelance photographer in Paris since then. His photography as a kind of media keeping and recording memories but at the same time depart from the limitation of its caption. The free combination of the images and the captions as the artist's please is associated with his personal life experience, his memory and the social phenomenon. During his five-month residency at Treasure Hill, he will create and publish weekly bilingual newspaper
called "The Treasure Times." This project will invite dwellers and visitors of the community to participate the making of this publication which will be sent to popular cultural sites in Taipei.

Aimee Smith ( Australia )
http://www.aimee-smith.com/blog/

Aimee Smith 2004年畢業於Western Australian Academy of Performing Arts (WAAPA)，主修舞蹈，現活躍於澳洲與國際間的藝術家。在藝術的場域裡，人們分享、挑戰、質問與慶祝他們所居住的環境與生活方式，並相信藝術有潛力能藉由想像力建構未來。Aimee的作品與創作理念皆深受此引發，她認為她的作品主要是在強調、挑戰以及與和社會現況的對話與爭論。目前的作品主要關注在環境、戰爭、恐懼以及移民政策的問題。

Since graduating from the Western Australian Academy of Performing Arts (WAAPA) with a BA Honours in dance (2000 – 2004), Aimee Smith has been working as an artist both locally and internationally.

Aimee is inspired by the possibility of using art as a forum for people to share, challenge, question, celebrate and make sense of the world in which they live, and believes in the potential for imaginations to dream up the future. This drives her practice – in both the work she makes and the opportunities she pursues.

CHOREOGRAPHIES
Aimee endeavours to make works that address, challenge and bring into conversation themes and ideas prevalent in current social debate. Her most recent works deal with concepts of the environment, war, fear, and the politics of immigration.

莊哲瑋 ( Chunag Che-Wei, Taiwan )
http://chuang-che-wei.blogspot.com/

作品看似以平面繪畫為主進行的空間營造，而實是透過繪畫內容關注於"恐懼"與"慾望"如何透過形象來陳述，以致在其繪畫裡總是透過複數的斷片敘事構成一影像群。
這些帶有負向烏托邦情境的形象擷取的對象是電影、電視、報章雜誌等今日普常的傳播媒介，透過造形活動的轉換這些影像成為無根的偏執囈語，這即是他的繪畫實踐要問的問題:什麼是繪畫的"話語行動"?他透過空間的情境佈局以及個別形象之間的流動建立一個觀看活動的可能條件。

His work seems at a first glance to create a space by flat images, but in fact its attention is to express fear and desire by a series of painted fragments which thus constitute a group of films. These anti-Utopia images were derived from mass media such as movies, tv programs, magazines…etc. He shoots the question “what is the movement of discourse in painting” by transforming the style and the appearance of these images to a incessantly and paranoid soliloquize. Through the arrangement of the space and the flow of each individual image, a possible way to observe the “movement” is formed.